It is re-union time again! In masala-land, a re-union does not need a reason, but a rhyme (and music) is always welcome. When Madhu posted her Aankhen songs list, Anu also wanted to post about filmi eyes and I am always happy to join a song-n-dance party. So we planned our re-union party, with songs about eyes – Anu decided to bring Nigaahein songs to the party, Madhu opted for Nazar, and I settled on Naina songs.
Once upon a time in masala filmland, families/siblings were routinely torn asunder (usually in Kumbh Mela, accidents or by the machinations of the evil villain) and brought together years later through inevitable coincidence. Sadly, families always seem to stay together these days. Be that as it may, as a card carrying member of Bollywood’s families-torn-apart-and-re-united party, I was, naturally, always alert to the possibility that I have missing family out in this big bad world. But it was in blogland that I finally met my long-lost masala sisters – Anu (Conversations Over Chai) and Madhu (Dustedoff). Anu and Madhu found each other years ago. My masala sibling-ness took a while to manifest itself – Anu and I both lived in Bombay, Madhu and I both live(d) in Delhi, all three of us had (mostly) the same thoughts about movies/songs/actors/books. But when Anu and I watched the same movie (five years apart) and found ourselves making the same comments on the film, it was time to face up to the truth – we were bicchdi behne indeed!
A re-union of masala sisters does not happen everyday. To celebrate this once-in-a-lifetime re-union, we decided to watch our favourite masala re-union stories. In order to spare you reading about the same movie thrice (of course, we all chose the same movie to review!) Anu decided to watch Yaadon Ki Baaraat (three brothers separated in childhood by an evil villain), Madhu went for Johnny Mera Naam (two separated brothers) and I settled for my favourite twin-sisters-separated-at-birth film.
Dear readers, I have been very tardy about writing new posts, lately. (It’s mostly the fault of the hot Delhi summer which makes it very uncomfortable to use my laptop.) So, when Ruchi, a regular Masala Punch reader, told me of her tragic encounter with a doormat (of the reel type), I immediately spotted a blog post in her and made every effort to encourage her writing. In the end, it turned out to be a joint effort, since neither of us had the time or the energy to do all the research on our own. Today we have for you a list of five filmi doormats and how we wish they had turned out. Over to Ruchi:
I still remember the days when I was completely hooked on to Dhoop Kinarey, a Pakistani tele-serial that held my imagination with the brilliant romance of the impetuous Zoya with the oh so serious Ahmer Ansari. So when I recently came across a ‘new’ (new for me i.e.) Pakistani tele-serial on You Tube – Humsafar – which had apparently been a hit in Pakistan, I was immediately interested. The beautiful Khirad (Mahira Khan) and her blossoming romance with the handsome Asher (Fawaad Khan), the understated melodrama, so unlike what the likes of Ekta Kapoor are dishing out on the Indian TV screen, was seductive. So what if Khirad had a tendency to cry every episode, she was khuddar (self-respecting), we knew that from the very first episode. And anyway she did cry with such panache that you just had to admire it. And yes, Asher couldn’t stand up to his manipulative father but you can’t quibble with every tiny thing! The story had to start somewhere!
Masala patriotism is not my favourite genre, but where there are rules, there are exceptions to rules. And this film is firmly in the exception-to-rules category as far as my no-unsubtle-patriotic-films rule goes. I picked this up because it stars Ajit and Helen, and have no reason to regret my choice.
I am very partial to well-made romantic films, and this one ticks all the boxes on my checklist for well-made romances: Dishy hero? Check. Melt-into-a-puddle romance? Check. A mature, grown-up couple? (No, I am not referring to their ages!) Check. Romance in the hills? Check! Coherent, well-crafted story? Check. Well-written dialogues? Check. I could go on and on, but I think you get the picture!